Posts Tagged ‘tv’

Your Copyright…

Monday, February 15th, 2016

BPHI WEB FB Copyright picture by Bianka BernabePhoto by Bianka Bernabe
Every script writer should make sure they are prepared to face copy right violations. Here are some facts around copyright to ensure your next idea does not get plagiarised without you having any legal grounds to defend yourself.

Fact is that you own the copyright to your story the moment to write it down. Important is that you cannot own the copyright to an idea and in most instances not even to a concept. Word of advise is to not shop around with an unfinished idea or concept prior to the screenplay (or any other written work).

In any copyright dispute the problem is for you to prove you came up with the story prior to the person who plagiarised your work. There are some easy and affordable options to insure you keep the upper hand in disputes over your copyright.

In the Philippines you can register your script with the Intellectual Property Center. But in many countries legal contracts are often not worth the paper they are printed on this is often not much more than a band aid.

I find it easier to deal with the Writers guild of America in order to register your script online within a few minutes and from the convenience of your home. You do not have to be an american citizen or resident to register your script. For none WGA members the registration fee for any written work is about 25USD and the registration will last for 10 years or more. Just upload a pdf version of your script and you receive a certificate with date and timestamp. You can register either using the East coast  or the West coast office. Just follow the links.

For more information about  copyright and other legal matters check out “The Filmmakers’ Legal Guide” available on the topics.


Thursday, August 7th, 2014

Our Zeiss  T2.1 standard cinema prime lenses for PL-Mount and fast Nikon mount still lenses with apertures of f1.4 for primes  and  f2.8 for zooms, provide you with the glass you need to capture your vision.


PL-Mount: (Contact us for price)

16mm Zeiss Standard Prime T2.1

24mm Zeiss Standard Prime T2.1

32mm Zeiss Standard Prime T2.1

50mm Zeiss Standard Prime T2.1

85mm Zeiss Standard Prime T2.1


FULL  FRAME Lenses (Nikon mount)  (Contact us for price)

Sigma, 35mm/1.4 ART

Sigma, 50mm/1.4 ART

Nikon, 50mm, f1.4 G

Nikon, 85mm, f1.4 G

Nikon 70-200mm, f2.8 G

Nikon, 28-300mm, f3.5-5.6 G


APS-C Lenses (Nikon DX)  (Contact us for price)

Tokina, 11-16mm, f2.8 (DX)

Nikon 35mm, f1.8 G (DX)

Nikon 17-55, f2.8 G (DX)

Nikon, 18-300mm, f3.5-5.6 G (DX)


Filters (Glass): (Contact us for price)

Tiffen 4×4, IRND 1.2

Tiffen 4×4, ND 0.9

Tiffen 4×4, ND 0.6

Tiffen 4×4, ND 0.3

Tiffen 4×4, linear Polarizer

Tiffen 4×4, ND 0.9 Grad soft

Tiffen 4×4, Sunset 2


Thursday, August 7th, 2014

Fluid camera pans and tilts as well as camera movement are essential for a seamless production. High quality Sachtler tripods & fluid heads are the base of our camera support department. Sit-on dolly with straight & curved tracks, 12ft Jib and slider compliment the German build tripods.

Scroll down for more and (Contact us for price).


Sachtler Carbon Fiber, 3-Stage HD, 100mm

Sachtler Carbon Fiber, 3-Stage, 100mm

Sachtler Standard 2 Stage Aluminium, ground spreader, 150mm

Sachtler Standard 2 Stage Aluminium, ground spreader, 100mm

Sachtler Baby 2 Stage Aluminium

Sachtler High hat 2 Stage Aluminium

Manfrotto 525, midspreader, 75mm

Manfrotto 117B Heavyduty, midspreader, 75mm



Sachtler 20P Fluidhead, 100mm

Sachtler 18P Fluidhead, 100mm

Sachtler SB-8 Fluidhead, 75mm

O’Connor 100D, 150mm Fluidhead

O’Connor 50D, 150mm Fluidhead

Manfrotto 504HD Fluidhead, 75mm

Manfrotto 501 Fluidhead, 75mm



Banson SteadiCam-System “Bumble Bee” incl. west and arm

Cobra Crane I, 12ft, 4kg, w/counterweights

Kanova K3 Slider, 100cm 501Manfrotto fluid head

Universal Dolly w/ seat & push-bar with 12ft Straight & Curve  3ft tracks

(Contact us for price)


Thursday, August 7th, 2014

MISCELLANEOUS  – Not just RED gear but also audio equipment, power, lights, grip and other needed equipment. This section is long, so make sure you scroll down to the end.

(Contact us for price)


RED Nikon mount

RED Canon mount

PL mount

DSMC Side handle


REDstation 1.8” mini eSATA/FW800 or USB3/FW800

REDmag 1.8” SSD 128GB

REDmag 1.8” SSD 240GB

RED Bomb EVF (OLED) incl. Cable

RED Pro 5” Monitor touchscreen

Spinner with Bomb EVF mount

DSMC Top mount (adjustable)

Sliding Top Handle



REDvolt travel charger

RED DSMC power supply

RED XLR microphone cable

V-mount battery Dynacore 95Wh

Dynacore 2 Channel V-mount charger

Mounting arms

Rib-Cage with top plate and riser, 15mm rod support

Shoulder rig 19mm rods, 15mm rod support

Follow Focus 15mm

18” Follow Focus Wip



Sennheiser MKH66

Windscreen & Handgrip

Wind Jammer

Boompole  K-2 carbon with internal XLR-cable

Sennheiser G2 Wireless Lapel Mic set

Sennheiser G2 XLR Transmitter

Sennheiser G3 Wireless Label Mic set

Sennheiser G3 XLR Transmitter

EV RE50B dynamic Omnidirectional mic

Azden 4Ch Sound-Mixer

AKG Headphones



Fluorescence 4 banks24″ tungsten

Fluorescence 6 banks24″ tungsten


Litepanels Micro LED

LED 321AS, 18.5W, 2x NP-F570L

LED 321AS, 8.5W, 1x NP-F570L

800W Redheads with softboxes

1kW Fresnel Tungsten

(Contact us for price)

Hire Us

Tuesday, June 1st, 2010

Award-winning talent. Years of experience globally. Dedication to excellence. These are the reasons why you should hire us for your next project. We would love to hear about it. Click here to contact us.